School SOS works at the intersection of Higher Education after care, artist, designer and spatial practitioner development programme, advocacy work and community organising. It focuses on how we can collectively make the use and experience of space fairer for everyone. To do that, it helps artists and designers find where the use of space is having a detrimental effect, through exploitation, or violence, or abuses of power, and helps form approaches in tackling these issues.

We work as a collective to help artists and spatial practitioners develop and establish specific and financially viable approaches that centre on the sometimes challenging, and complex politics that affect minoritised groups.

Made in partnership with Arts organisations, community leaders, museums, galleries, and other public institutions, SOS is a free programme of guidance, peer networking, skills training, financial guidance, and project development for artists, spatial practitioners, and their communities. Using a set of principles, we guide the development of uniquely co-created spatial practices that address spatial injustice.

Image courtesy of the Koppel Project.
Copyright the Koppel Project 2020.‍
SOS is joined by practitioners and groups of people who share an obligation to participate in practices that expose, alleviate, advocate and activate a response with communities experiencing spatial injustice. This is what we describe as Active Design.

We are not here to say what defines Active Design, or who is a community, or how we do justice. Instead, SOS asks its participants to co-discover these terms as an active member of their spatial practice in the interest of solidarity.

SOS believes in a set of design and research principles which inform how the school is run and the projects produced within it.
Design is political and therefore must ethically address social injustices

As individuals, we are all inherently political. The use and experience of space is therefore also political. We believe art, design and spatial practice are politicised tools for ethically addressing injustices.

Social injustice will mean different things to different people and communities. When this happens in space, we believe it is the role of spatial practitioners to use design as a tool to expose, alleviate, advocate and activate a response on behalf of the public and affected community.


To address injustices, design must be co-conceptualised, co-produced and active on-the-ground

To ethically address injustice we believe that all design practices must centre on the co-production of knowledge. That means making new approaches to spatial practice directly with the people you work with, from concept to application.

To do this we center lived experience, positionality, consciousness raising and elevating voices as ways of understanding community - a word that has lost almost all meaning, but which is up for reclaiming.

We believe that to practise active design, it needs to have an effect on-the-ground. Active is in its real-world application, design that has practical ambitions, i.e. it is not speculative and is sometimes measured in impact.


Co-production necessitates accessibility throughout the design process

Accessibility is an overused term. We begin with understanding accessibility as a critique of representation in the field of art, design and spatial practices.

We believe that for a genuine co-productive approach in design, all voices need to participate in all its aspects. To do this, it requires the removal of barriers to participation which is not an easy, but necessary task.

Complex and messy lived experiences are matched by complex and nuanced barriers to participation that require an equally sensitive response.


Kishan San (Co-Founder and Director)

Copyright Kishan San 2018

Kishan completed a BA in Architecture at the University of Westminster in 2015 and a Diploma in Architecture at the Architectural Association in 2019. Kishan works as an Advanced Researcher at the Turner Prize nominated human rights research agency Forensic Architecture (FA), based at Goldsmiths University, London. 

With FA his work has been tabled for discussion at the UN’s OECD Seminar on the Beirut port explosion, European Parliament (the LIBE Committee on Civil Liberties, Justice and Home Affairs) and has been published in numerous media outlets including; The Guardian, The Financial Times, Der Spiegel, Mediapart, Efsyn, and Madr Masr.


Pierre Shaw
(Co-Founder and Director)

Image courtesy of Arch+ (2022)

Pierre obtained his BA in Architecture at the University of Sheffield before completing an MA in Architecture at the Royal College of Art (RCA) in 2018. Pierre is now an Associate Lecturer and Assistant Lead of superFUTURES at the RCA School of Architecture where he has exhibited for the UN Foundation at ASRA’s Currents of Change: New Horizons in Systemic Risk. He is a PhD candidate researcher in critical spatial practices and pedagogy at the University for the Creative Arts, Canterbury.

Pierre has published for e-flux Architecture and held research fellowships with the British Council and CAMPO in Rome. His research has been presented internationally including ESLTIS24 and the Valencia International Biennial of Research in Architecture. He is a visiting critic at the AA, RCA, University of Toronto, Oxford Brookes, amongst others.
School SOS Board of Trustees
Rachael Harlow
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Rachael Harlow is Projects Curator at the South London Gallery (SLG). She graduated from Goldsmiths University in Fine Art and History of Art and now leads one of London’s best established programme for young emerging artists at SLG.

Coordinating the gallery’s artist in residence and public commissioning, currently Rachael is a Interim Co-Acting Head of Programme at SLG. For SOS Rachael advises and oversees on all matters.
Rebecca Markus-Monks
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Rachael Harlow is Projects Curator at the South London Gallery (SLG). She graduated from Goldsmiths University in Fine Art and History of Art and now leads one of London’s best established programme for young emerging artists at SLG.

Coordinating the gallery’s artist in residence and public commissioning, currently Rachael is a Interim Co-Acting Head of Programme at SLG. For SOS Rachael advises and oversees on all matters.
Members TBA very soon ...
Collaborators
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Bamidele Awoyemi
Agata Nguyen Chuong
Ben Brakspear
Greg Moss-Coomes
Ben Rea
Angus Smith
Studio Tutor
Workshop Coordinator
Guest Tutor
Exhibition Curator
Producer
Participants and Guests
2021
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Nour Al Ahmad
Stanley Chick
Abiba Coulibaly
Jackson Deans
Ella Fitzgerald
Rachel Jung
Aarushi Matiyani
John Murphy
Aggie Parker
Nicola Tsioupra
Oliver Warren
James Bridle
Lydia Caradonna
Jack Self
John Walter
ASSEMBLE (Jane Hall)
Cooking Sections
Forensic Architecture
2020
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Anonymous 1
Anonymous 2
Peter Brooks
Andrew Copolov
Bex Liu
Rosemary Moss
Okocha Obasi
Jonathan
Pilosof
Oniqur Rahman
Louis Scantlebury
Sharvaree Shirode
Roxy Zeiher
Dr Sophie Lewis
Prof Nick Srnicek
GREENPEACE UK (Rosie Strickland)
The Rodina
2019
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Callum Abbott
Elsa Casanova
Thea Christy-Parker
Ruby Doherty
Kostek Konopinski
Karolina Krupickova
Lily Mc Craith
Christian Opdal
Eleni Papazoglou
Jay Parekh
Ananya Patel
Shakera Rahman
Lauryn Siegel
Juli Sikorska
Oliver Simpson
Tareq Tamimi
Felix Taylor
Simo Tse
Henry Valori
Lizzie Walkden
Huidi Xiang
Ed Fornieles
Dr Daisy Ginsberg
Jack Self
John Walter
(Ab)Normal
ASSEMBLE (Jane Hall)
Forensic Architecture
The Rodina